For Douglas Rodrigo Rada duality as a basic principle, the voltage bipolar, black & white make necessary conceptual framework and formal framework within which everything is questionable, possible, malleable, mutable. Parsimoniously support is essential, from which, thanks to which and within which the artist investigates the delirious abysses inherent identity with playful insouciance transmutes realities defined and given for granted, yet the realities engineered, in search of a vital meaning behind and beyond a simple apparent nonsense, with undeniable courage and expressing doubt that what is perceived in and / or outside one, perhaps it is essentially what appears to be, much less so easily decipherable.
Renouncing all showy eloquence and zeal child beautifully, Rada reconstructed buildings, discover the faces of an imaginary anthropomorphic nature, recalls and revives the monster shadows ambiguous calls disturbing dream and other natural objects and names rationally obsolete recognizing each changing and interchangeable possibilities, aspects intrinsic to their identity.
The artist's world meets the world of childhood, with the Zen world, the world of alchemy in the paradox of complex simplicity or simple complexity ... what is and is not and also is and can be or not ... a patch, an apple, a broom, a house, a landscape, a tree ... of who I am and I'm not well I am or I can be.
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About Rodrigo Rada by Angelika Heckl
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